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Come Down Heavy! (CD)
PAB 40
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- French composer Joseph Canteloube was born to an affluent Auvergnant family. Canteloube's mother arranged for her son to study piano with Amelie Doetzer, beginning at age six. Doetzer was a personal friend of Frederic Chopin and used exercises that were hand written by this great composer. Thus, from an early age, Canteloube's concept of sonority was greatly influenced by Chopin. Not only was Canteloube influenced by Chopin, he was also exposed to local dances and folksongs. His father would often take him on long walks through the mountain villages of the Auvergne. This would have a huge impact on Canteloube's view of music and it's need for folk song. Canteloube became a great advocate for folk music and it's use in quot;seriousquot; music. He strongly felt that contemporary music had lost it's way because composers and performers had turned their backs on folk music. After World War I Canteloube began to collect, harmonize, and publish collections of folk music. He did not approach the use of folk music from an ethno-musicological approach; rather, he simply wished to awaken an interest in these songs. As a result of his great interest in and use of folk music the works of Canteloube are difficult to classify. At times he directly quotes the folk song and adds harmony, yet in other instances the folk songs are nearly unrecognizable. The line between composition and arrangement is highly blurred in the oeuvre of Joseph Canteloube. During his career, Canteloube was often criticized for the extremely elaborate harmonies, added notes, and orchestrations he used with his folk songs. To rebut his critics, Canteloube stated: Just because the peasant sings without accompaniment, that is not sufficient reason to imitate him. When the peasant sings at his work, or during the harvest, there is an accompaniment which surrounds his song which would not be felt by those whose interest is purely academic. Only poets and artists will feel it... It is nature herself, the earth which makes this, and the peasant and his song cannot be separated from this... If you suppress this atmosphere, you lose a large part of the poetry. Only the immaterial art of music can evoke the necessary atmosphere, with it's timbres, it's rhythms and it's impalpable, moving harmonies. Chants D'Auvergne were transcribed for saxophone by Yasuhide Ito. Lan Na Thai was composed during 2008 at the request of Dr. Andy Wen for a performance at the 2009 World Saxophone Congress in Bangkok, Thailand. The composition is in three movements with each titled after a different period in Thailand history. The piece is loosely programmatic as it tries to capture the general mood of each era, rather than specific events. I. Sukhothai (The Dawn of Happiness) - This movement reflects the ideal state, a land of plenty, and is peaceful. II. Ayutthaya - This movement reflects a period of wealth that is characterized by wars with Burma. III. The Chakri Dynasty - This movement reflects the more hectic pace of modern society where Thailand moves from an absolute monarchy to a constitutional monarchy. Folk music of Thailand is built on a seven-note scale of equal intervals. The fourth and seventh notes of this scale are often used only for ornamental purposes. In order to approximate this scale, a pentatonic scale is used as it is like a major scale with the fourth and seventh tones removed. The pre-recorded sounds approximate some of the instruments traditionally used in Thai folk music. Composer Sy Brando
| Performer | LACZKOSKI |
| Music genre | Classical |
| Music subgenre | CD - CLASSICAL ARTISTS |
| Music release type | Release |
| Media format | CD |
| Original release date | 2011 |
| Edition | Standard |
| Number of discs | 1 |
| Series title | Laczkoski/Russell/Draper - Come Down Heavy! [COMPACT DISCS] Duplicated CD |
| Track listing | Chants D Auvergne: I. La Pastoura Als Camps,Chants D Auvergne: II. Bailero,Chants D Auvergne: III. L Aio de Rotso,Chants D Auvergne: IV. Soprano Cadenza,Chants D Auvergne: V. Ound Onoren Gorda?,Chants D Auvergne: VI. Alto Cadenza,Chants D Auvergne: VII. Obal Din Lou Limouzi,Lan Na Thai: I. Sukhothai,Lan Na Thai: II. Ayutthaya,Lan Na Thai: III. the Chakri Dynasty,Celebration of Flight: I. Inspirations,Celebration of Flight: II. Experiments,Celebration of Flight: III. Triumphs,Penelope S Song,Come Down Heavy: I. Steel Drivin Man,Come Down Heavy: II. I Gave My Love a Cherry,Come Down Heavy: III. Oh Lovely Appearance of Death,Come Down Heavy: IV. Drill Ye Terriers |
| Record label | CD Baby |
| Composer | Joseph Canteloube |
| Track name | All Messed Up, Half Man Half Boy, Justice in Freedom, Unearthed, Release the Feeling, Revolution Stone, Half Man Harf Boy, Resurrection Joe, (Let It) Come Down Heavy, Bleeding Heart, What to Do, Sonic Lament, Run Out Shit, Justice In Freedom, Can You See Me?, Nine Times, Testimonial |
| Digital audio file format | CD |
| Music media format | CD |
| Item Weight | 0.5 lbs (230 grams) |
DESCRIPCIÓN DEL PRODUCTO
Come Down Heavy! (CD)
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CD Baby Classical Composers Editorial Review
Come Down Heavy! (CD) features classical performer LACZKOSKI, presenting a captivating blend of music that includes pieces such as 'Chants D'Auvergne' and 'Celebration of Flight.' Released in 2011, this standard edition CD showcases the work of composer Joseph Canteloube, highlighting a range of emotions and cultural influences conveyed through classical artistry. The tracklist captures listeners with its diverse offerings, exemplifying the depth of the classical genre. Whether you are a long-time fan of classical music or new to its charms, this album is a noteworthy addition to any collection, promising an engaging auditory experience.
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- Beautifully arranged classical pieces
- Features renowned performer LACZKOSKI
- Includes music from diverse cultural backgrounds
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- Engaging compositions for classical music enthusiasts
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- Limited to one disc of music
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PAB 40
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